Director Jonathan Demme captures the frantic energy and artsy groove of Talking Heads in this concert movie shot at the Hollywood Pantages Theatre in 1983. The band's frontman, David Byrne, first appears on an empty stage, armed with only an acoustic guitar, and is gradually joined by bassist Tina Weymouth, drummer Chris Frantz, keyboardist Jerry Harrison and a cadre of backup singers as they perform the band's hits, culminating in an iconic performance featuring Byrne in an enormous suit.
São Paulo’s acclaimed 10-piece instrumental collective return for their 4th album. Urban Afro-Brazilian grooves, empowered horn-driven melodicism and massive dance floor inspiration. One of South America’s most exhilarating musical propositions.
Stanley Clarke is an American bassist and founding member of Return to Forever, one of the first jazz fusion bands. He has composed music for films and television and has worked with musicians in many genres.
Part of the fabric of Los Angeles’ hip-hop / jazz / soul avant-garde since 2005, Georgia Anne Muldrow has built a mightily impressive discography and a reputation to match during her career as a vocalist, songwriter, producer and musician. It is fitting that in 2018 she should sign to Flying Lotus’s Brainfeeder imprint - a record label deeply embedded in LA, with a ton of shared history and a united vision of the future - to release her stunning new album.
Joey Dosik honed his craft as part of a burgeoning Los Angeles scene that reinvents classic popular music to thrive in the present tense. With Inside Voice, Dosik delivers a level of depth rarely achieved in a debut, and the result is an instant classic by any standard.
Vibraphonist/vocalist Roy Ayers is among the best-known, most loved and respected jazz/R&B artist on the music-scene today.
Located at the infectious crossroads of funk and jazz is the internationally acclaimed band The Headhunters. Forty years in the industry has melded their sound into an energetic ride through the roots of music in the beats of ancient percussion instruments to the electronic vibrations of the future.
It's more like a Central African nightclub…or downtown Manhattan or Chicago's South Side in the late '60s and early '70s, where free-improvising saxophones met electronics and rock music and Sly Stone amid the urgency of the civil rights struggle.”
As both a solo artist and contributor to wonderful world of Vulfpeck, rhythm guitarist Cory Wong has proven himself to be one of the funkiest players in the game today.